Listen Local je otvorená iniciatíva určená hudobníkom a organizáciám pôsobiacim v oblasti hudby. Využíva otvorenú umelú inteligenciu a jej cieľom je zviditeľniť domácu hudbu na internete aj mimo neho. Listen Slovak je náš pilotný projekt a jeho súčasťou je štúdia realizovateľnosti. Projekt vznikol v spolupráci so Slovenským ochranným zväzom autorským pre práva k hudobným dielam (SOZA), a s podporou Fondu na podporu umenia (FPU) a Consolidated Independent, distribútorom nezávislej hudby z Londýna. Cieľom projektu bolo zistiť, prečo sa istá časť slovenskej hudby neobjavuje v rádiách ani na streamovacích službách, a vytvoriť databázu a demo aplikáciu, ktorá takúto hudbu dokáže nájsť a ponúknuť používateľom.
Why are the total market shares of Slovak music relatively low both on the domestic and the foreign markets? How can we measure the market share of the Slovak music in the domestic and foreign markets? We offer some answers and solution based on empirical research and with the creation of a database and an AI application.
While the US have already taken steps to provide an integrated data space for music as of 1 January 2021, the EU is facing major obstacles not only in the field of music but also in other creative industry sectors. Weighing costs and benefits, there can be little doubt that new data improvement initiatives and sufficient investment in a better copyright data infrastructure should play a central role in EU copyright policy. A trade-off between data harmonisation and interoperability on the one hand, and transparency and accountability of content recommender systems on the other, could pave the way for successful new initiatives.
The results of the first Hungarian, Slovak, Croatian and Czech music industry reports are compared with Armenian, Austrian, Bulgarian, Lithuanian, Serbian and Slovenian data and findings.
This study argues that the cultural and welfare benefits of this private copying regime are enormous and important to create a good quality of life in Croatia for all age groups, but especially for young people, and it must be maintained. Furthermore, it is very advantageous for the tech sector, because their products are mainly used with unlicensed music and film copies, given that only a very small portion of the population pays for downloads, or subscribes to services like Spotify, Deezer or Netflix. The first measurement of licensed use of music, audiovisual content, home copying and value transfer to media platforms in Croatia for a practical update of the private copying remuneration in the country.
Slovakia’s first music industry report. Following the three income streams model from creation till audience, we summarized for the the number of works that were created, recorded, staged in Slovakia in a year. We calculated their revenues, their value added, their employment effect and the investments of the recording industry. There is an extensive business development and policy conclusions chapter in the 227-pages report, which follows a similar Hungarian report.